For my Luminary, Daveithai, dwelling of the seed of Seth. My beloved, son of Autogenes, and his aeons.
chain of memories/fears, repent the body, pedestal the source,
laid judgement from the mirror in refractions of a puritans reflection,
though betrothed to my dysrhythmia, at my worst,
dominating
overexertion delirium,
your praise
do not enable me
Genesis.
Birth by sleep.
When I Wake Up, I'll Find You. And Then There Will Be No Lies.
I will step forward to realize this wish
nurture patience
practice compassion for us as one
you will find deeper Vains
Strengthen my malleable weakness
as boundless light in absence of nerve endings. Who will I have ice cream with? Necromantic Lover.
lyrics
I’ve got plenty of rest
With none of the peace
My brain had stopped all functioning
They said almost deceased
I haven’t got a will
For any debts I’d wanna keep
Morbid lover throw my ashes to the sea
And there’s something so wrong
With what you’re doing to me
What you’re doing to me
Ambient twitching
My heart has stopped again
Inspections of the morgue
Necromantic lover
Is it cold under the sheets
After hours shopping
No way I still taste sweet
you turn on the light
I know I'm pallor than I seem
For you to hold me tight
You must be lonelier than me
Is this what is after life
Is this just me in my mind
I feel a new heaven in your eyes
I feel you've arrived much past my time
Inspections of the morgue
What is it you're searching for
When you leave please lock the door
My heart has stopped again
Ambient twitching
my heart has stopped
again
And there's something so wrong
My heart has stopped again
What you're doing to me
My heart has stopped again
Necromantic Lover speaks tethered communication to both the living and the romantic dead. Acting as a conduit of the love unseen, the speaker performs in a raw, desperate attempt to reach out beyond the physical world and embrace the attachments within the realms of the soul. The simplicity of the speaker is deceiving—she rests on an emotional bridge between two worlds: one of flesh and one of spirit, swaying with the desire to find meaning in the truth of what is felt in the claims of One true love. It's through these reverberations that we throw our voices into the void, hoping that they will be heard, and that our souls will be recognized. What is love if not the committance of the self and soul in entirety, as separation from such a romance would cause certain death—with another renewal to be blasphemous across the chasm of life and death. It's lyricism draws pleas to this new feeling, to be longing for such understanding in the most intimate and profound sense. Despite her physical revival, the speaker finds herself grappling with the hollow space where love once lived. The heart's "ambient twitching" represents the lingering numbness, the unnaturalness of this second life. The constant "inspection of the morgue" symbolizes both her internal search for what remains of herself—what she still craves but may never regain—and the attraction her new lover feels for her cold, lifeless state. It's in that resonance, between speaker and listener, where the soul's deepest yearning to be heard breaks through, finding its voice in a world that can no longer hear it. Ultimately, the parts of the self we sacrifice and the emptiness that can remain after we give it all away become transcended into an afterlife, viewing a new heaven in her lover's eyes. It's about coming back from death, only to discover that what we once thought was love might have only been a fleeting illusion. In the end, she weighs if there is any true life or love left for us. Are we doomed to live in a state of perpetual longing, always searching for something that can never fully bring us back in light of knowing all the losses of meaning with finding the beauty of this new romance. She submits to the wrong nature of giving what she can, in acceptance of her fate, asking when the time comes for this idyllic last lover to part from her, to please, lock the door.